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"Jackass Forever" with the old and new stars of the controversial series, "Parallel Mothers" by Pedro Almodóvar and "Vatersland": These are the cinema reboots on March 10th.

In addition to the well-known stars like Johnny Knoxville and Steve-O, there are also new faces in the fourth "Jackass" movie. (Image: Paramount)

The fourth "Jackass 4" play lasts a good hour and a half. Plenty of time, then, to ponder the sense and nonsense of self-inflicted pain in the service of entertainment. "Jackass Forever" will be released in the cinemas with some time delay, and basically this masochistic, politically completely incorrect and absolutely dull concoction by almost forgotten MTV rebels was certainly not really necessary. But: The fans of yesteryear will certainly enjoy it this time too.

Meanwhile, "The Batman" continues to dominate the big halls. But there is also something new to see in the somewhat smaller houses: Pedro Almodóvar's new film "Parallel Mothers", for example, with a brilliant Penélope Cruz in the leading role. Or the German production "Vatersland", in which the director and author Petra Seeger deals with her own past in a male-dominated post-war society.

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Jackass Forever
Of course, this is no longer a scandal like it was 20 years ago. Just remember: At the beginning of the millennium, "Jackass" ran on MTV for the first time and polarized people like no other show on television. Content: A horde of boys undertook obviously dangerous stunts, put themselves through disgusting tests of courage to see if a stun gun really shocked them. And Germany wondered whether one could find that funny firstly and secondly what "Jackass" was doing to young people.

So now the fourth movie in the series starts. According to reports, the guys around Johnny Knoxville and Steve-O are now around 50. In addition to the well-known "stars" there are some new faces. Eric Manaka, Rachel Wolfson, Jasper Dolphin and Sean "Poopies" McInerney face the challenges, which like to have something to do with cannons or dangerous animals - somewhere between a jungle test and an action film. A sometimes disgusting hodgepodge of pain or fear-inducing adrenaline kicks. And, as expected, everyone involved finds it very, very funny.

After "Jackass Forever" it should be over with this strange rebellion, which somehow fit the time 20 years ago. Everyone has to decide for themselves whether this form of cinema party is an appropriate form of entertainment these days and weeks.

parallel mothers
Once again director Pedro Almodóvar looks at his Spain with keen eyes. His current film is called "Parallel Mothers" and, as is so often the case with Almodóvar, it focuses on the fate of women. A country reveals itself around them that cannot escape its past.

Director Pedro Almodóvar tells a moving drama that links the fates of two women in a disturbing way. Janis (Penélope Cruz, right) and Ana (Milena Smit) have both become mothers. (Image: El Deseo/Studiocanal 2021)

The "parallel mothers" are Janis (Penélope Cruz) and Ana (Milena Smit), who happen to meet in the hospital. They are both expecting their first child. Janis, a middle-aged woman, is looking forward to it. Ana, a teenager, is concerned about the future, especially since her mother Teresa (Aitana Sánchez Gijón) is really no help to her. The fathers are not there anyway. In the case of Janis, it is probably the anthropologist Arturo (Israel Elejalde), who works for a foundation that helps to clarify the crimes of the Franco regime. Janis' great-grandfather was murdered during the civil war and lies in a mass grave.

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Against this background, Almodóvar tells a moving drama that links the fates of the two women in a disturbing way. The audience accompanies her in her search for the truths of yesterday and today. Penélope Cruz received an Oscar nomination for Best Actress for her role.

fatherland
"Remembrance cinema" - that is the perfect description for the film "Fatherland", in which the director and author Petra Seeger deals with her own past as a growing girl in a male-dominated post-war society. "It was important to me to make a film that expresses the feelings, experiences and painful moments of my childhood as authentically as possible," says Petra Seeger, who grew up in the 1960s and used lots of family photos and 16mm film to prepare for her memory from her father's archives.

Margarita Broich plays the filmmaker Marie, who is in a crisis. (Image: W-film/Coin Film)

It happens in a similar way in the film: the filmmaker, whose name is Marie here and who is played by Margarita Broich, is working on a new screenplay. She discovers a box with photos and films from her childhood and embarks on an emotional journey through time into her own past. The film accompanies the girl Marie on her way to becoming a young woman in the midst of a decade of great changes.

With Felizia Trube, Momo Beier and Stella Holzapfel, three young actresses embody Marie at different ages in the flashback. She experienced her personal trauma early on with the death of her mother, which also shaped her father (Bernhard Schütz), who was marked by war. "Fatherland" is certainly a feminist film, but at the same time not without humor and charm.

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Heavy names like James Cameron, Guillermo del Toro and Steven Spielberg are demanding that the Academy withdraw a controversial decision.
New year, new controversies around the Oscars - and what the TV broadcast should look like.
 
This week, the Academy of Motion Picture Arts and Sciences - which has awarded Oscars since 1929 - decided to cut eight of the award categories for a tighter and shorter program. According to the Academy's decision, the Oscars for, among other things, the best clips and music will be awarded before the TV broadcast, and then cut into the program.

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But such decisions are not made without Hollywood reacting, and now several of the film industry's heaviest names have put together a letter to the Academy's chairman in which they ask him to step up immediate action.
 
"For almost a century, the Academy Awards have represented a golden standard in how to pay attention to and honor all the professions of filmmaking. As we now approach the 100th anniversary of the Oscars, we are deeply concerned that this golden standard is being tarnished by certain professions. , it says in the letter at Variety.
 
"Seeking new audiences and making the TV show more entertaining is an important goal, but it can not happen at the expense of all the crafts that make film art worthy of praise."
 
The letter is signed by filmmakers such as Guillermo del Toro and James Cameron, Star Wars producer Kathleen Kennedy, composers Howard Shore and Hildur Guðnadóttir with about 70 other filmmakers.

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Earlier this week, Steven Spielberg criticized the Oscars' new changes. In an interview with Deadline, he says:
 
- I do not agree with the decision. I strongly feel that film is a medium that is created together, we all become a family where every profession and craft is equally important. At the Oscars, there is no one who is nicer than anyone else. Everyone deserves a place at the table, at the same time and live.
 
- What would "The Shark" be without John Williams' music ?, adds the director whose "West Side Story" is nominated for 7 Oscars.

The academy continues to claim that all winners will be presented during the Oscars, and that their speeches of thanks will be cut into the three-hour broadcast (in other words, just as the Golden Bug Gala has done for many years). But it's not good enough for Hollywood's giants - and the question now is whether the Oscars' producers can change their minds.

It's time to put on your cloak and head out on the criminal streets of Gotham in the game "Gotham Knights" this fall.
About a year ago, we were told that the launch of the long-awaited game "Gotham Knights" was delayed until sometime in 2022, because the developers wanted to give "the game more time to be able to deliver the best possible experience".
 
Now, however, Warner Bros. Montreal has announced that the game has finally been given a date, which is October 25.

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The game is about Batman dying, which means that his four protégés Batgirl, Nightwing, Red Hood and Robin take over the mantle to keep the streets safe. The adventure can be experienced by yourself or together with other players. Warner Bros. Montreal is already behind "Batman: Arkham Origins".
 
The secret, criminal society Court of Owls will play an important role in the plot.

The game is described as an action role-playing game in an open Gotham City, where you can play as the four different heroes. In addition to playing alone, you can also collaborate with two other players, as well as explore the city with various famous vehicles from the Batman series.

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"Gotham Knights" will thus be released for PC, Playstation 4, Playstation 5, Xbox One and Xbox Series X / S on October 25 this year.
 
In addition, "Suicide Squad: Kill the Justice League" is also underway, developed by Rocksteady Studios, which is behind the "Arkham" games.
 
Are you going to play "Gotham Knights"? Which is your favorite among the DC heroes?

Pixar's new family film "Red" lets a cute panda teach children about puberty and at the same time calm anxious parents. Fun and charming when embarrassments take turns, but the change of tone towards the end prevents the film from becoming panda-stick.
What if Pixar made a movie of a 13-year-old diary?
 
I actually think that's exactly what happened when director Domee Shi (who won an Oscar with the short film "Bao") is told about growing up as an Asian girl in Toronto. The cultural clashes between a strict, overprotective family and all the exciting things that the outside world has to offer are mixed with puberty pain and a great dose of humor.

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Mix in a little fantasy and the cuteness meter hits the ceiling - because when Mei Lee turns 13, she magically transforms into a big, red, fluffy panda! The transformation comes in time and untimely so she may become sad, angry or upset. A curse or maybe a superpower? Together with the tight group of girls, Mei Lee finds a way to capitalize on the sweet factor of her involuntary alter ego to raise money for the gig with the hot boy band.
 
"Red" is a very charming story about growing up and taking the scary but exciting steps from childhood into adulthood. The time when the body changes, a look from a good-looking classmate makes one kneel weak, and one has no damn idea what's going on - playfully designed so that even the smallest children can be enchanted while we adult viewers laugh and are ashamed in recognition of all the embarrassment.

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With their latest three films "The Soul", "Luca" and now "Red", Pixar has left the world of fish and toys. It is a nice trio of more mature, human stories, of course with a touch of supernatural magic, but also more personal projects for the filmmakers. It's fun to see new abilities take the lead and that the studio is investing in more original stories.
 
That the film takes place in 2002, the same year when the director himself was 13, is hardly a coincidence. We who remember that time can smile at details such as tamagotchi and portable CD players - you almost wish it was even more driven with the era. But "Red" is a timeless story that everyone who has once been a teenager can recognize themselves in and laugh at while hiding behind the pillow of shame. For families with children, it also leaves open for conversations about menstruation and puberty in a de-dramatized way.
 
And as in Disney's musical "Encanto", questions are raised here about the family, where unconditional love and great pressure sometimes go hand in hand. Do everything to fit in or dare to break free? How do you handle being disappointed in your own mother's eyes? I can imagine that Mirabel and Mei Lee could have been good pen pals in a parallel Disney universe, they would have a lot to talk about.
 
I see "Red" with a big smile on my face. It offers wonderful middle school humor with one foot in Asian culture and the other in a fantasy world, with playful and often anime-inspired animation.
 
That being said, the film is not spotless. It loses a bit of its charm and humor towards the end, to derail in some kind of bombastic Marvel finale we could have been without. That Pixar emotional storm is also missing - you know how their best films can grab your heart and turn the tear ducts? Although I suspect that "Red" will appeal to the female audience more, both mothers and daughters, who can relate to the characters on another level.
 
But the red panda is kind of the cutest thing seen in an animated film in a long time. Beware, parents - it is probably already mass-produced for toy stores.
 
And by the way, I love that Billie Eilish and his brother Finneas have teamed up with Swedish music genius Ludwig Göransson to create quirky, troll-friendly pop hits for the film's fictional boy band 4-Town. This year's most unpredictable music collaboration?
 
"Red" will be released on Disney + on March 11.

Superheroes have increased strength is common in comics, serving as ways to put characters to face more powerful enemies. Robbie Reyes, the Ghost Rider, is one of the most recent examples of this situation at Marvel, as shown in Avengers Forever #3 during a showdown against a villain using a Venom-like symbiote.

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Warning: spoilers!

Reyes has recently become an entity known as the All-Rider, a title that allows him to transform any vehicle into a demonic version of himself, unlike other spirits of vengeance who can normally only transform a single one — especially motorcycles.

And Reyes utilizes that power in spectacular fashion in Avengers Forever #3, right after the room in which he was being tortured by a variant of the Red Skull that utilizes a Venom symbiote.

As the villain tortured Reyes, Earth-818's Ant-Man Tony Stark arrives at the scene, and distracts the antagonist long enough for the Spirit of Vengeance to regain its strength.

The Venom car. (Image: Reproduction/Marvel Comics)

With his energies recovered, Reyes begins his assault, revealing to the villain that the symbiote can also be a vehicle, depending on the user, which causes the hero to convert it into a demonic car - and thus escape captivity.

We don't know if in the next editions the Ghost Rider will continue to use the symbiote as a car, but without a doubt this ends up showing a great use of the character's power - and also that, considering the prominence and strength of these aliens in Marvel, currently, it ends up being making something very impressive.

With his energies recovered, Reyes begins his assault, revealing to the villain that the symbiote can also be a vehicle, depending on the user, which causes the hero to convert it into a demonic car - and thus escape captivity.

We don't know if in the next editions the Ghost Rider will continue to use the symbiote as a car, but without a doubt this ends up showing a great use of the character's power - and also that, considering the prominence and strength of these aliens in Marvel, currently, it ends up being making something very impressive.

At the same time, it is common knowledge that the hosts of the symbiotes are obstinate in retrieving the alien - which may indicate a scenario for the next confrontation between the characters, which may occur in the next editions of Avengers Forever.