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The Normative Instruction RFB 2063, of January, creates new regularization rules in the Federal Revenue for the installment payment of ordinary and simplified debts of companies. The best news was the end of the R$ 5 million limit for the simplified model; now it is possible to negotiate the debit directly over the internet, via the e-CAC Portal, which simplifies the regularization process.

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The normative instruction also created the possibility of negotiating different types of tax debts in a single installment. Until then, each tribute negotiated fell into a different installment. Thus, the entire debt can be controlled in a single installment, paid with the same document.

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The installment systems were updated and centralized in the e-CAC Portal. This unification will be accompanied by the option to withdraw from the entrepreneur. Therefore, it will be possible to negotiate the repayment of debts also in the e-CAC, no longer having to manually enter processes for the vast majority of cases.

Debts declared in the DCTF, DCTFWeb, Income Tax Declaration and ITR Declaration, or launched by tax assessment notices will all be negotiated directly in the e-CAC, under the option “Installment – Request and follow up”. For debts declared in GFIP, the option remains “Simplified Social Security Installment”.

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Despite the news, the Revenue says that the installments negotiated in the old systems will remain active, with the respective monitoring taking place in the previous channels in which the taxpayer was used to. In addition, the rules do not apply to Simples Nacional and MEI tax debts (declared in PGDAS-D or DASN-SIMEI), which follow the rules of Resolution CGSN 140/2018.

The director Uwe Boll made a documentary about the Hanau attack: sloppy, irreverent - and unsuitable for any serious discussion.

The German filmmaker Uwe Boll has made a film about the racist attack in Hanau. A documentary with many reenacted and fictionalized game scenes. The relatives of the victims are appalled, the city of Hanau protested against the project.

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Boll produced the film anyway and Hanau will be released two days before the second anniversary of the assassination as a video-on-demand. It is scheduled to be released on DVD and Blu-Ray in early March. The way there is like a foreseeable escalation, at the end of which there is an unbearable product.

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Boll is not the first to deal with violent crimes, behind which state or social structures stand and which are commonly described as "unimaginable". Some filmmakers have already done so. Because you have to deal with these topics, after all, silence is not an option. So the first question is: is a movie a good option?

The director, screenwriter and producer Boll always seems to answer the question with yes. He has not only shot trash and horror films with titles such as Zombie Massacre and House of the Dead, but has also repeatedly dealt with extremely serious issues: the death of the politician Uwe Barschel, the Holocaust, the genocide in Sudan, school shootings and the tunnel war in Vietnam. Every facet of violence interests him. Boll also received praise for Darfur (2009), but many of the films lack depth, they are all striking. And it seemed like a mockery of the victims when, in addition to the historical film Auschwitz, he also created a film that he sees as a parody and in which Nazis experiment on vampires. Some critics regard Boll as the "worst director in the world" and petitions have already been started against him to prevent his films. The early resistance of the relatives and the city is probably due to this. Sensitivity is not one of Boll's characteristics as a filmmaker. But that would be elementary for such a project, as other directors have shown in the past.

Spotify has just announced the acquisition of Podsights and Chartable. The purpose of the operation is to improve podcast measurement for advertisers and provide insights for publishers. Podsights is a podcast advertising measurement service, while Chartable is an analytics platform that uses promotional attribution and audience perception tools to help publishers learn about and grow their audience.

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Recent research by Advertiser Perceptions points out that measurement and attribution remain the biggest challenges for podcast advertisers. With the merger of the two companies, Spotify will expand its set of tools to facilitate the transformation of insights into actions. The expectation is to increase the listener base and improve business.

Sean Creeley, CEO of Podsights, says that Podsights and Spotify share the same belief. “All big media ecosystems need big measures to thrive.” Khurrum Malik, head of marketing for Spotify's advertising business, points out that many advertisers have shifted more budgets to podcasts. “They are telling us that to increase their investment in the category, they need more measurement and more insights.”

Malik says the company hopes the Podsights team will help accelerate and improve measurement for podcast advertisers around the world. “Better measurement will benefit the entire ecosystem and we can't wait to get started”, he ponders. In the fourth quarter of 2021, Spotify had 3.6 million podcasts on the platform (in the third quarter, there were 3.2 million).

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The company already acquired Australian-based podcast technology platform based in Australia in December 2021 and podcast discovery platform Podz in June 2021. By November 2020, Spotify had already incorporated Megaphone, an advertising and podcast publishing, for $235 million. Other companies acquired include Gimlet Media and Anchor, for $343 million, in February 2019, Parcast and The Ringer.

The consultancy eMarketer points out that annual digital audio advertising revenue in the US is expected to reach close to US$ 8 billion by 2025. Of this total, US$ 2.7 billion (R$ 14 billion) will go to podcast advertising. For Spotify, the next step in ensuring growth is demonstrating the impact of audio advertising through innovations in measurement and insights for publishers.

Sharon Stone still wears the white dress from the classic cross-legged scene from "Basic Instinct" (1992). In an interview with Instyle magazine, the 63-year-old actress explained that she kept the play in a deal with the production of the feature to compensate for her low pay from the film. Even playing protagonist Catherine Tramell, she was paid much less than her co-star Michael Douglas for the job.

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“I stated in my contract that I would take the clothes. People thought I was crazy, but the truth is, I wasn't getting paid very well compared to my male counterparts. I got $500,000 and Michael [Douglas] got $14 million. So sticking with the clothes was a wise decision,” she said.

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The star, however, says she never wore it again after filming. "It was zipped up in a bag on set and never opened again. I broke the zipper so it's hermetically sealed, like a really cool piece of art or time capsule."

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In the interview, she explained how the white dress was chosen for the scene. “We decided on the all-white outfit because of the character's Hitchcockian inspirations,” he said. “But Ellen [Mirojnick, costume designer on the film] designed the dress so I could sit like a man in the interrogation scene. move my arms and legs, have space and control in a room full of men.”

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In other interviews, Sharon Stone said that she was tricked by director Paul Verhoeven and did not know that she would appear without panties in the film. To Instyle, she told that she did not imagine that the interrogation scene would become classic. “The movie was a thriller and we were stopping the action to film me sitting in a chair, so I thought the chance of anyone calling at that moment was zero,” she concluded.