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"I am sad, but I am grateful": "Harry Potter" star Daniel Radcliffe has bid farewell to his longtime co-star Michael Gambon with heartfelt words.

"Harry Potter" star Daniel Radcliffe (34) is mourning the loss of his longtime colleague and co-star Michael Gambon (1940-2023). In a lengthy statement given to "Entertainment Weekly" regarding the passing of the Dumbledore actor, Radcliffe said that the world had lost a touch of magic and fun. Radcliffe is quoted as saying, "Michael Gambon was one of the most brilliant and uncomplicated actors I ever had the privilege to work with."

Despite his "immense talent," what Radcliffe will remember most is how much fun he had on the job: "He was silly, irreverent, and hilarious." Gambon loved his work but never seemed to define himself by it, Radcliffe continued. They worked together in six of the eight "Harry Potter" films in total. The Irish-British actor Gambon took on the role of Dumbledore from "Harry Potter and the Prisoner of Azkaban" in 2004 after the previous actor, Richard Harris (1930-2002), passed away.

Daniel Radcliffe: "I am so grateful that I got to work with him" According to Radcliffe, his colleague was an "incredible storyteller and jokester" who had a habit of blurring the lines between fact and fiction when speaking with journalists, for example. This made him a "pleasant part" of the countless "Harry Potter" press conferences. Time on set made Gambon "unforgettable and joyful." Radcliffe said, "I am so sad to hear that he has passed away, but I am so grateful to be one of the fortunate people who got to work with him."

According to consistent reports from British media, Michael Gambon passed away at the age of 82 from pneumonia. He peacefully passed away in the hospital alongside his wife Anne and son Fergus. In addition to the "Harry Potter" films, Gambon was also known for numerous other major Hollywood productions, including roles in films such as "Sleepy Hollow" (1999) and "Gosford Park" (2001).

On the silver screen, actor Robert Pattinson (37) is often known as a confident hero - whether it was at the beginning of his Hollywood career in the "Twilight" saga or more recently in the dark superhero film "The Batman." In a new interview, the star revealed, however, the profound self-doubts that come with choosing a new role: "I have a deep, deep fear of humiliation," quotes the "Interview" magazine the actor.

He always wants to give his all for his part but is continuously accompanied by the fear of not being able to do so. In the end, though, no one cares about the reasons for this failure: "You just know it falls back on you. Of course, you can say the script was awful or the director was a jerk, [...] but at the end of the day, no one cares about the reasons. You're the one they will say was bad. And a majority of people will say that even though you did your best."

Existential anxieties also plague him This is not the first time Pattinson has offered deep insights into his fears and concerns as an actor. In 2020, for example, he told GQ magazine that he also grapples with existential anxieties - a reason why he turned down smaller but more challenging indie films: "The problem was that no one watched them, no matter how much I liked the films I made."

Although Hollywood's dream factory is often glorified from the outside, at least Pattinson is dealing with very worldly worries there: "I'm constantly thinking that you'll spend most of your life unemployed and desperate, feeling like a complete failure." So, there is maximum stress when shooting is happening, and one feels even emptier between two projects.

Margaret Qualley is floating on cloud nine after her wedding to Jack Antonoff and can't wait to see what the future holds.

The 28-year-old actress tied the knot with the 39-year-old musician in August after two years of being together and admitted that their life together is "fantastic," and she couldn't be happier to have "a home" with him.

She told Harper's Bazaar, "I'm so happy that I've found my person. And it's real. It's incredible. It's the best feeling in the world. I'm so excited and at the same time so relaxed... Until about a month before I met Jack, I never had any furniture. I always had these small apartments... and moved from one place to another with a mattress on the floor and an Ikea lamp. I never had a real home. I didn't care, I was focused on films. I used my sister's basement in L.A. as a storage for my things. But I didn't invest in that part of my life." Therefore, Margaret is looking forward even more to their future together. "It's really exciting to now create a home and have something to take care of."

One day, the actress wants to have children too. She added, "I just want to do everything with Jack. One day, I want to have kids, but I'm not there yet, and I want to keep making movies. And that's all I know."

[.WATCH.] One Piece Episode 1072 English Subbed Free ,Shiver! Luffy's Gear 5 has finally been unveiled. One Piece fans are brimming with excitement for the upcoming episode, specifically One Piece episode 1072, which will showcase the power that Eiichiro Oda has meticulously prepared for Luffy.

Link To WATCH HERE

And why wouldn't they be? Luffy's clash against Kaido, employing the might of Gear 5, commences.

The battle between Luffy and Kaido in the actual anime has just commenced, all thanks to Gear 5 Luffy's astonishing abilities that defy human comprehension.

This is precisely why the entire fandom eagerly anticipates the release of the upcoming One Piece episode 1072.

The forthcoming One Piece Episode 1072 is scheduled to be available for all fans on Sunday, August 12th, 2023, titled “Silly Power! Gear 5 in Full Play”.

Here are the release times in different time zones:

• Pacific Time (US & Canada): 5:30 PM on Saturday, August 12, 2023.
• Central Time (Mexico): 6:30 PM on Saturday, August 12, 2023.
• Eastern Time (US & Canada): 8:30 PM on Saturday, August 12, 2023.
• Indian Standard Time (India): 06:00 AM on Sunday, August 13, 2023.
• Australian Standard Time (Australia): 02:00 AM on Sunday, August 13, 2023.

In the previous episode, fans got a glimpse of Gear 5th, along with a sighting of Kaido.

All these elements converge in this episode, and fans are well aware that One Piece has truly delivered in these moments.

This may not be the entirety of Luffy and Kaido's showdown, but it serves as a grand introduction to Gear 5 and the Gomu Gomu no Mi.

As the previous episode unfolds, we witness Luffy rising once again, invoking comparisons to the Legendary Joy Boy. As we saw in the previous episode, Zunesha's cries resonate.

In parallel, Zunesha mentions hearing the Drums of Liberation for the first time in 800 years, leading to the belief that Joy Boy has returned.

Meanwhile, as Luffy regains his consciousness, he marvels at his ability to stand despite losing the battle. Laughter ensues, accompanied by a captivating musical backdrop.

Interestingly, this particular moment was absent in the manga. While the manga depicted Luffy ready to engage, I'm delighted to see this addition in the anime, complete with the vibrant yellow light.

One Piece Episode 1071: Recap and Review

Further into the episode, fans also observe Sanji recovering his senses and questioning Luffy's actions on the rooftop.

On the Show Floor, characters including Kid and Law are left pondering the commotion and luminance above them.

Cutting to Mary Geoise, we witness the Five Elders discussing the sacrifice of Guernica, who attempted to halt Luffy.

Moreover, fans learn about the discussion surrounding Luffy's Devil Fruit. One of the Elders mentions that the World Government has persistently sought the Gomu Gomu no Mi for 800 years, yet it has remained elusive.

Others propose that the fruit's elusive nature might be due to its innate will. Being a Zoan-Type Devil Fruit, it bears the name of a deity, known as Zoan, Human-Human Fruit, Myth-Type, Model "Nika".

Additionally, it is revealed that Nika possesses rubber-like properties, enabling spirited combat and eliciting smiles.

This enigmatic figure is none other than the Warrior of Liberation, also recognized as “Nika,” the God of the Sun.

Upon awakening the Gomu Gomu no Mi, it bestows even greater potency and freedom to its wielder's rubbery form, rendering it an incredibly outlandish power in the world.

Fully empowered in Gear 5th, Luffy emanates a formidable Haoshoku Haki, resulting in the collapse of numerous members of the Beasts Pirates. Concurrently, Luffy seizes Kaido in his Dragon form and hoists him, marking the commencement of an exhilarating and amusing anime brawl. This juncture ushers in battles akin to the legendary rivalry of Tom and Jerry.

For those eager to watch the streaming, the link is provided below:

[Link to streaming goes here]

Many routinely refer to cinema as a dying medium, and few are optimistic about the direction the industry is headed.

Legendary director Francis Ford Coppola called Barbenheimer (aka "Barbie" and "Oppenheimer") "a win for cinema."

"I have yet to see ("Barbie" and "Oppenheimer"), but the fact that people fill big cinemas to see them, and that they are neither sequels nor prequels, do not have a number, so are really unique, is a victory for cinema."

He's not wrong.

A week after the launch of Barbenheimer, the two films have held up unusually well in cinemas. The studio estimated on Sunday that Barbie grossed a whopping $93 million in its second weekend. Oppenheimer stayed in second place with a robust $46.2 million (€41.9 million). Sales for the two films fell 43% and 44%, respectively -- a far cry from the usual second-week declines.

Barbenheimer, a perennial favorite Barbenheimer has proven that it is not a one-off phenomenon but a perennial hit at the box office. The two films combined have already grossed more than $1 billion (€908 million) at the worldwide box office.

Paul Dergarabedian, a senior media analyst at data provider Comscore, called the film "a milestone for films, for moviegoers, and for cinemas."

"Two films from rival studios that are linked in this way and that are mutually reinforcing - both in terms of box office and in terms of popularity - I don't know if there is a comparable situation in the annals of box office history," says Dergarabedian. "There's really no comparison to it."

After its best-ever grossing of the year ($162 million), pink pop sensation Barbie had a remarkably strong week and went into the weekend. The film outperformed Nolan's The Dark Knight to have the best first 11 days of any Warner Bros.

Barbie has made a quick $351.4 million in US and Canadian theaters, making it set to be the summer's biggest box-office hit. Barbie has grossed at least $20 million every day the film runs.

And the Barbie Effect isn't unique to North America. The film grossed $122.2 million internationally over the weekend. The worldwide box office is 775 million dollars (704 million euros).

Even experienced studio operators are amazed.

"That's an insane number," said Jeff Goldstein, Warner Bros. sales director. "There's just a built-in audience that wants to be a part of the current zeitgeist. Everywhere you go, people wear pink. Pink is taking over the world."

Amidst this hype, Barbie is already attracting a crowd of repeat visitors. Goldstein estimates that 12% of sales will go to people wanting to see the film again with friends or family.

For a film industry that was trying to get back on its feet before the pandemic - and which is now mostly shut down due to strikes by actors and screenwriters - the Barbie and Oppenheimer sensations showed what's possible when everything comes together correctly.

"After the pandemic, there is no upper limit or lower limit," said Goldstein, "the films that don't work are really bad, and the films that work are really good."

Universal Pictures' Oppenheimer, meanwhile, is running more like a superhero movie than a three-hour film about researchers talking.

Nolan's drama, starring Cillian Murphy in the lead role of atomic bomb physicist J. Robert Oppenheimer, has grossed $174.1 million domestically to date. With an additional $72.4 million in international theaters, Oppenheimer has already grossed over $400 million (€363 million) worldwide.

Screenings at IMAX are usually sold out. Oppenheimer has grossed $80 million (€72.6 million) worldwide from IMAX. The company announced on Sunday that it would extend the film's runtime to August 13.

In the words of Ken: "So cool."